Spoken by One Who Didn’t Listen People around Elmira tell the story different ways, but it always starts on the north side, where the Chemung drags slow through town and the hills decide who they’re going to notice.
Not all who wait at the threshold mean to enter. Some wait for you to step out. Fog thickens...congeals - the way dread settles when it chooses a host. Only then do I notice the lake breathing again, its exhalation brushing my skin like a hand returning from earth with something to confess.
By the crypt-mist’s breath and candle’s sigh — in the style of Poe Set in Elmira’s Woodlawn Cemetery, this poem listens for the echoes that linger between art and afterlife. The Lady becomes both muse and mirror - a figure through whom memory, creation, and mourning converge.
I was eleven, and the house was so quiet it felt like it had stopped breathing. Downstairs, my family was watching some dumb show - Dad in his easy chair, Skipper curled on his lap, my mother probably knitting, my brother and sister laughing at canned jokes from the set.
I love the old Universal horror movies ! Frankenstein , Phantom of the Opera, The Wolf Man, all of 'em! I remember being scared out of my gourd watching these movies on a Saturday night, and sometimes even in broad daylight on a Saturday morning!
The dark is crowded with attention, Every shadow seems to hear, And the silence bends around me Like a mouth pressed to my ear.
On Lincoln Street, when I was small, The attic watched us from the wall. Above her bed, it slept in gray -
On reading The Invisible Man The fire breathed low in the evening room, Its heart aglow through the tender gloom; The coals like thoughts that rise, consume, Then fade in molten dreaming. Outside, the wind began to moan, Yet here I sat - content, alone - With Wells’s words, soft-uttered tone, Through pages dimly gleaming.
I knew before I crossed the gate that something watched me near - a crawling cold that gripped my neck and whispered You belong here.
A Remembrance in Shadows and Smoke ...if we don't wake up to find ourselves safe in our beds, it could come again. To the ships at sea who can hear my voice, look across the water, into the darkness. Look for the fog. - Adrienne Barbeau as Stevie Wayne
A Memoir of Fear in Someone Else’s Living Room November 24, 1979 Sweetest singing I ever heard. And a feeling like drowning. And eyes...eyes! - Mike Ryerson, Salem's Lot